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As Vernallis theorised, the music video should have a clear sense of disjuncture, with the video cutting between narrative and performance in a way that is fragmented, offering multiple narratives and perspectives. One example of this is Khalid's 'Young Dumb and Broke' which uses both performance shots of him dancing towards the camera, as well as narrative from different perspectives of the students attending the school. Multiple narratives are therefore shown through the perspectives and the yearbook narrative, creating a disjunctured music video.






In the UK, music is subject to copyright laws which protect the property of artists and songwriters. This is under the Copyright, Design and Patents Act 1988, which results in you owning your own rights to your work up to 70 years after death. This is achieved through the artist creating their song in a tangible format, e.g. writing down the song lyrics, recording a demo/music video, and is automatically copyrighted. However, royalties cannot be earnt without joining a collection society. The PRS (Performing Rights Society) is one of these, and are responsible for collecting royalties from copyrighted music. Once signed, they pay the owner of the song with the royalties from radio stations, shows etc. People who are not the owner of the song are not allowed to use even 1 second of the music without a license, resulting in an infringement.
If a song is used not owned by the channel, the ads will appear on the video, with revenues going to the rightful owner. The song may be used however if it falls under fair use, which consists of the music being used for parody, teaching, review and formats of this nature. This results in music circulation for UK audiences being primarily from the main owner, with extra content around the song being created by 3rd parties.